Centre chorégraphique national de Tours (CCNT)

© Frédéric Lovino

Direction Thomas Lebrun

Both a performer and choreographer, Thomas Lebrun has spent more than 20 years honing a style instiled with social and political preoccupation, blending inventiveness with respect for tradition and intertwining refinement with generosity.

Trained as a teacher, Lebrun has consistently focused on imparting knowledge since the beginning of his career. He has organised numerous workshops and masterclasses worldwide and has served as an artistic director in many international companies (China, Brazil, Lithuania, Korea, Russia, Singapore). In January 2012, he was appointed director of the CCN de Tours (CCNT). Since then, he has created 16 works that have been performed internationally, with more than 800 performances, in addition to shows co-written with other artists and commissioned works, including opera pieces. Since 2018, he has developed the “Dansez-Croisez” programme with the CCNT, which blends choreographic styles, alongside artists from overseas and the Caribbean region. He has also worked in Guyana, Martinique, Guadeloupe, and Cuba.

Since he took the helm, the CCNT’s missions and initiatives have been driven by his desire to share dance in all its diversity, richness and nuances with all audiences. Initiatives like the “accueil-studio” programme, vocational training, support for amateur dancers, awareness-raising activities, artistic season planning, and personal works are all part of an increasingly inquiring and welcoming approach. This federating project addresses all the goals set by the CCN label, treating them equally and making the CCNT one of the few centres that schedule performances.

© CCN de Tours

The venue

Before Thomas Lebrun’s arrival, the CCN de Tours was shaped by three major names from the field: Jean-Christophe Maillot, Daniel Larrieu and Bernardo Montet, each of whom brought their unique influence.

Jean-Christophe Maillot, now the managing director of the Ballets de Monte-Carlo, worked to break down the barriers between styles, envisioning a choreographic writing that combined both traditional and avant-garde dialogue.

In the early ’80s, Daniel Larrieu explored several creative paths for dance and opera. It ranged from refined, even minimalistic forms to large, complex, baroque frescoes.

As for Bernado Montet, he offered a committed form of dance: his pieces tackled topical issues, depicted the world around us and portrayed bodies in their political and poetic dimension.

The CCN de Tours was meant to schedule performances ever since it opened, a commitment which needed to be aligned with the fundamental goals of the label. Therefore, each director has used this as a strength, to build an audience over three decades, transforming Tours into a city of dance. This momentum even prompted institutional partners to support the construction of new facilities for the CCNT and, more broadly, the development of choreographic creation in Tours as well as its regional and national outreach.

Key dates

  • 1989-1992

    Jean-Christophe Maillot serves as director

  • 1993-2002

    Daniel Larrieu serves as director

  • 2003-2011

    Bernardo Montet serves as director

  • 2012

    Thomas Lebrun is appointed director